Exhibition: International Salon 2016. Opening Reception on Thrusday April 7, 2016. Located at 547 W 27th St. New York, New York 10001. Phone (212) 941-8899 more info



Artist Katia Gerasimov, at the opening reception of one of her currents exchibition, in from of few pieces of her work featured at The Gallery, on 350 Bleecker St, New York City. until April 30th, 2016 more info

Artist Profile


"After" oil on canvas ainting, from the collection SERIES, 30 x 30 is being featured as part of an the exhibition at The Gallery, at 350 Bleecker, on display from March 3rd until April 30 2016. Inquiries? Contact Maura Geils 646-533-5999. Read more

Past Show

Current show

The Red Hat, acrylic on canvas, 16 x 20, one of the pieces sold during Modern expressionist artist and curator Basha Maryanska residency, for a panoply of international artists at the Historic Red Barn in the Hudson River Center, Beacon, N.Y. from October 12-26, 2015. The exhibitors came from several continents—Europe, Asia, India, United States—in a show highlighting abstract and representational paintings, sculpture and photography. more info

"Moments"exhibition at Jaditte Gallery


by Anne Rudder

Gallery&Studio Arts Journal Website

"A Few Moments with Katia Gerasimov"

artist in front of paintingsKatia Gerasimov makes her artistic case ethereally at Jaditte Gallerywhere her simplified subjects grace the canvases in carefully selected colors based upon the artist’s intuitions. Gerasimov is at home in the international community as she is a translator for the UN, while being based in Geneva, Paris and New York City. Now living and studying in New York, she has absorbed the work of European abstractionists, particularly Hans Arp, the eminent artist based for much of his life in Switzerland. Like this master, Gerasimov’s pieces are without artifice in their understatement and demonstrate moments of interpretations of thoughts on what it means to be alive.

She pays homage to Arp in “Breathing” and “Daydream,” both paintings of contained energy while employing intense chroma, one of saturated blues and greens and the other of warm yellows. artist with guestsCompositionally, the forms in each are simplified with a flowing roundness to them. The elements are subtly interlocking with each other to create a satisfying completeness, through understated brushwork juxtaposed with bold color, reaching dramatic life.

In contrast to these two paintings, her piece, “Flux,” is one of pastel rectangles emanating from a vortex, swirling counterclockwise from a center of somewhat rounded forms that become elongated and narrower, as they move toward the canvas edges. The movement of the colors, Gerasimov painting as many pastels as possible, creates a dizzying effect, the color energies becoming a fluid dazzling before the viewer’s eyes, so that one seems to be falling into a kaleidoscopic endless tunnel. Perhaps the artist is journeying toward the unknown in this piece and wants to communicate that with us.

Gerasimov says that as an interpreter of French, Russian and English, she learns so much about people, which can also be said about her experiences of living in France, Switzerland and America. In each place, she absorbs different cultures, in Paris painting more freely while in New York approaching her work with greater rigor. The paintings produced in New York City conjure up such disparate subjects as a European odalisque, a life force paramount, being somewhat mysterious and beautiful, so the viewers’ responses regardless of geography are universally felt.

front of the art galleryThis painter, as a person involved with the affairs of humanity, is highly aware of our planet’s current state. Particularly concerned about the environment and our future, she asks what will be the ecosystem in ensuing years? Her painting, “The Year 2100,” does not answer this question optimistically as she paints a miasma of horizontal dark purples with flecks of vertical intimations of light attempting to make themselves known in the murk. The ghostly white daubs are almost desperate gestures, trying to exist in an environment drowning in danger, just as humanity struggles to triumph over the terrible effects of climate change.

Her painting, “Mirage,” also depicts the earth, but this time quietly, examining a mysterious confluence of the planet’s elements in a serene reading of the horizon where ochre sand horizontally lies before a cerulean sea and sky. This painting brings more hope to the heart of the viewer than “The Year 2100,” as suggestions of fecund seaweeds float in the littoral zone, intimating new life in spite of the possibility of oceanic environmental calamity.poster exhibition

Gerasimov also has long training as a ballet dancer and her grand jetés become translated into painted leaping brushstrokes in her canvases, “Black and Brown,” “Energy of Passion,” “Life,” and the most fully realized painting in the exhibit, “Central Park.” The browns slash at a gashing angle to the black vertical “Passion” and “Life” show similar strengths of feeling in the deep reds and darks laid down in passages both bold and moody. The dramatic abstracted tall New York City buildings, bound up to the sky amid the expansive cool greenery of the park, create a thrilling scene. All four paintings are robust celebrations of the human life force and they are exhilarating in their expressions of the striving for existence and meaning. The painter accomplishes all this with an economical selection of painted elements where the phrase “less is more” aptly describes the elegance of the work.

Hans Arp created a body of work across multiple disciplines in some ways saying that he felt the pieces almost created themselves. Gerasimov, exposed to this artist’s work throughout her lifetime, feels too in some ways, that she, through her own intuitions, is allowing the work to develop partly from energies outside herself therefore influencing the outcomes of her artistic explorations. Katia Gerasimov has given us instances that are intimations of her examinations of what it means to be alive—her communication of her reverence for creation. The works at Jadite Gallery encompass a broad range of references and I am grateful she has chosen to share these brief painted moments with us in both their economical and expansive aspects.

Note from a viewer

The colors of the New Work Collection are truly wonderful! Not a surprise, as colors are the foundation and the magic of your work as an artist. Although at his time, they are not bounded by the idea of space like some pieces part of the Geometry, Landscape or Surrealist Collections.

The brush strokes seem free to explore a complexity of rich tones throughout the entire collection, even when following space or lines as on My Foot, At the Beach or Mirage. The Portrait collection also shows an impressive variety of your possibilities as a portrait artist. Congratulations!

abstract landscapecubist female portrait

"At the beach"- New Work - "Althea 2" - Portraits

Former Gallery Director of RHINO Artist Cooperative,
Commercial Artist and Digital Technologies,

quote symbolKatia and colors

For Katia color is life and it has become the central focus of her paintings which have been influenced by the myriad of colors she discovered during her numerous trips to Africa, Asia, Pacific Islands, South America and India, which has a special place in her heart

Explore the collections

Beacon International Artists Residency October 12-16,2015

by Anne Rudder:

Review featured on the Gallery&StudioWebsite - Artistic Explorations Are Alive in Beacon - Beacon International Artists Residency - Located in the Historic Red Barn Long Dock Park, Beacon New York October 12 – 26, 2015

The exhibitors hail from several continents- Europe, Asia, India, United States - in a show highlighting abstract and representational paintings, sculpture and photography. Curator Maryanska is known for her championing of up and coming artists and during this exhibit, she will be sponsoring residencies where the artists in her show can explore further their individual creative processes and development in workshops, visits to museum and galleries and discussion groups, all serving to augment their talents and further foster their artistic blossoming.

ANNE RUDER "Inspired Energies at Beacon Residencies"(The Residency was from September 24 to October 8, 2016. The critique was published in the journal where she writes usually "Studio&Gallery")

lady with red hat

Catherine Gerasimov gives full expression to abstraction, reveling in the exploration of color through energetic application of a vibrant palette, incising and punctuating the picture plane using an exciting gamut of techniques. Her abstractions are emotional impressions of her travels throughout the world and she is an accomplished collagist who makes dramatic choices in subject, further animating her color vibrancy.

LIST OF SHOWS FR OM 2016- 2017- 2018-2019


Montserrat Gallery - New York

Opening 2018

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Look Out - Oil on canvas, 12 x 12(left) - Blue Moon, oil on canvas, 24x20 (right)

Katia Gerasimov interview on Youtube

SMALL WORK Exhibition Dec 3rd - Dec 17th, 2019

Jadite Gallery

Opening reception Fri-Dec 6th 3 - 6 pm

poster exhibition paintings

The Bean(top-left), Twins (top-right), Eclipse (lower-left), Lookout (lower-right)Oils on canvas, 12 x 12

SMALL WORK Exhibition May 12 - May 26, 2019

7th International Artists Residency

front cover of Magazine painting

Dawn, oil on canvas, 12 x 12

SMALL WORK Exhibition Jan 9 - Jan31, 2018

New York City Cultural Affairs

 Poster showpainting

RAINBOW oil 12 x 12


BEACON, New York, Nov 13th 2017

poster painting

DANGLING acrylic 16 x 20

Small is Great- Jadite Galley - December 1-22, 2016, NYC

wall displyposter

Katia Gerasimov, Solo Show

The Gallery, on 350 Bleecker St, New York City. April, 2016

artist by painting artist


Central Parak, oil on canvas, 30x30

Photographs by New York
Photographer Todd Carroll

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